Hu form vases with deer handles are distinguished by their traditional Chinese design. These vases typically feature a bulbous body with a flared mouth and are often adorned with intricate patterns and motifs, including floral designs, mythical creatures, and symbolic imagery. The handles are shaped like deer, adding an element of natural elegance and cultural significance. These vases were often crafted from porcelain or bronze, showcasing exceptional craftsmanship and detailed artistry representative of the period.
This particular pair is a depiction of a group of Daoists with the protagonist figure being that of a Daoist character opening his belly to reveal a seated Buddha. This imagery represents the syncretism of Daoism and Buddhism, two major philosophical and religious traditions in China. It signifies the integration of Daoist practices with Buddhist teachings, illustrating the harmony and coexistence of different spiritual paths. The man revealing the Buddha suggests enlightenment and the idea that the divine or ultimate truth resides within oneself. This motif reflects the cultural and religious exchange that has shaped Chinese spiritual thought over centuries.